BIMAL DASGUPTA

Born in bengal in 1917, Bimal Dasgupta was raised by his uncle, a government employee posted in
delhi. his uncle’s family did not support his ambition of becoming an artist, so he joined calcutta’s
college of arts and crafts in 1937 with his father’s help.
The war, however, interrupted his studies and he found himself working as a clerk in a war office where
his talents were put to use as assistant director in charge of all artwork for the Victory magazine. After
the war, he worked at Dhoomimal Art Gallery in New Delhi, and for advertising agencies. He eventually
went on to teach at the College of Art, New Delhi, for fourteen years. A scholarship to study and travel
in Europe for six months introduced him to gouache and oil as mediums.
Nature was very important to Dasgupta and formed a seminal part of his practice. After an early
reputation as a landscape painter, he briefly experimented with cubism after his tour across Europe, and
later dabbled in neo-tantrism, marking his abstract phase. He eventually turned to pure abstraction,
executed in watercolours and acrylic.
Besides exhibiting widely in India and
abroad, he also handled commissions for
murals for the India pavilions at international
trade fairs in Moscow, and Tokyo. Dasgupta
was honoured by the Sahitya Kala Parishad,
New Delhi, in 1972, and made a fellow of
the Lalit Kala Akademi in 1989. He breathed
his last in 1995.